ARTS REPORT - The Sixth Wife.
Shap Memorial Hall was filled with the sound of medieval music
whilst a large audience gathered for a performance of the one-woman
play The Sixth Wife. Before the performance the audience
stood to sing the National Anthem in honour of her majesty Queen
Elizabeth the Second’s 80 th birthday that day.
This play was the creation of author and performer Alison Neil,
who is also a historical researcher; and took the role of Katherine
Parr, who was the sixth and last wife of Henry the Eighth. Contrary
to popular belief; Katherine Parr is not thought to have been born
at Kendal Castle, as her father had moved his family from Kendal
to court before her birth in 1513. However Katherine is still honoured
in Kendal, with a street and a school named after her, and her
Book of Devotion preserved in the Town Hall.
The set recreated the Palace of Westminster with a backlit stained
glass window and minimal props. The action was set on a night in
late January 1547 when King Henry lay dying. His Queen, Katherine,
dressed in a gown of sumptuous crimson velvet with heavy brocade,
fills the long night by recounting the events of her life in a
precise yet witty manner.
She recalls her childhood spent at Henry the Eighth’s court,
and how precocious she was. It was said at the time of her birth
astrologers predicted that she was destined to sit on the highest
seat of imperial majesty. Her marriage to the elderly widower Lord
Borough of Gainsborough when she was nine years old left her a
widow at just fifteen. She was then married again in her late teens
to another widower, Lord Latimer of Scrope Castle in Yorkshire,
and with him was involved in the Pilgrimage of Grace an uprising
that followed the dissolution of the monasteries both narrowly
escaping execution for treason. The portrayal included several
references to, and impressions of noblemen, Anne of Cleves with
her German accent, and the gossip of courtiers, Katherine also
read extracts from a book that hung at her waist.
Following the death of Lord Latimer, Katherine was left a wealthy
widow; her delight at falling in love with Thomas Seymour was short
lived when the King himself made her his wife in 1543. Contemporary
accounts described Katherine thus: ‘a woman of virtue, wisdom,
and gentleness, most meet for his Highness, and a wife most agreeable
to his heart.’ Katherine succeeded in gathering the King’s
three children under one roof and arranging the education of Prince
Edward and Princess Elizabeth, she also convinced the King to legitimise
his two daughters. Her life was not without danger, for there were
ever those who sought engineer to her downfall. During the siege
of Calais when the King was absent, Katherine was made Queen Regent,
the highest title of honour possible to confer on a female in England.
As the play drew to its close, Katherine made reference once more
to Thomas Seymour, the man she was to marry following the King’s
death. The final words of the play were a rhyme familiar to many- ‘Henry
the Eighth had six wives: Divorced, beheaded, died, divorced, beheaded,
Survived’
The audience were greatly impressed by Alison Neil’s ability
to memorise almost two hours of well researched and factual dialogue,
for she had brought Katherine Parr, the Sixth Wife to life again
for a most memorable evening in the old county of Westmorland.
The event, which formed part of the Highlights rural touring programme,
was the only performance of this play in Cumbria. The evening was
hosted by members from St. Michael’s Church, who served refreshments
and held a raffle in aid of church funds.